[one_half last=”no”]
[person name=”Lanfranco Aceti” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/07/Lanfranco_2000.jpg” title=”OCR Board Member” facebook=”https://www.facebook.com/lanfranco.aceti” twitter=”https://twitter.com/lanfrancoaceti” linkedin=”https://www.linkedin.com/in/lanfrancoaceti”]Lanfranco Aceti works as an academic, artist and curator and is the founder of the Studium: Lanfranco Aceti Inc., that is a company, an online archive and an art project. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and founder and Director of MoCC (Museum of Contemporary Cuts). More [/person]
[/one_half]
[one_half last=”yes”]
[person name=”Mark Amerika” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/07/Amerika-Kailua.jpg” title=”OCR Board Member” twitter=”https://twitter.com/markamerika”]Mark Amerika’s work has been exhibited internationally at venues such as the Whitney Biennial of American Art, the Denver Art Museum, the Institute of Contemporary Arts in London, and the Walker Art Center. In 2009-2010, The National Museum of Contemporary Art in Athens, Greece, hosted Amerika’s comprehensive retrospective exhibition entitled UNREALTIME. More [/person]
[/one_half]
[one_half last=”no”]
[person name=”Sean Cubitt” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/07/Sean_Cubitt_2000.jpg” title=”OCR Board Member” facebook=”https://www.facebook.com/sean.cubitt.3″ twitter=”https://twitter.com/@seancubitt” linkedin=”https://www.linkedin.com/pub/sean-cubitt/8/230/998″]Sean Cubitt is Professor of Film and Television at Goldsmiths, University of London; Professorial Fellow of the University of Melbourne and Honorary Professor of the University of Dundee. His publications include Timeshift: On Video Culture, Videography: Video Media as Art and Culture, Digital Aesthetics, Simulation and Social Theory, The Cinema Effect and EcoMedia. More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Vince Dziekan” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Vince.jpg” title=”OCR Board Member” linkedin=”https://www.linkedin.com/pub/vince-dziekan/29/57a/6″]Dr Vince Dziekan is Director of Graduate Research in Design at Monash Art Design and Architecture in Melbourne, Australia. His research focuses on the impact of digital technologies on curatorial design and the implications of virtuality on exhibition-based practices. He has published widely in both traditional (e.g. peer-reviewed journals and conferences) and non-traditional modes. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Oliver Grau” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Oliver_Grau_2000.jpg” title=”OCR Board Member” linkedin=”https://www.linkedin.com/pub/oliver-grau/5/966/942″]Oliver Grau was appointed in 2005 the first Chair Professor of Image Science in the German speaking countries. His books include Virtual Art: From Illusion to Immersion, Cambridge/Mass., MIT-Press 2003, Mediale Emotionen, Frankfurt 2005, MediaArtHistories, MIT-Press 2007, Imagery of the 21st Century, MIT-Press 2011. More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Janis Jefferies” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/JJ_20001.jpg” https://ocradst.wpengine.com/wp-content/uploads/2013/08/JJ_2000.jpg” title=”OCR Board Member”]Janis Jefferies is Professor of Visual Arts and Associate Pro Warden for the Culture and Creative Industries, Goldsmiths, University of London, UK where she is also Senior Research Fellow, Constance Howard Resource and Research Centre in Textiles and Artistic Director of Goldsmiths Digital Studios, a research centre across Arts and Technology. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Peter Lewis” picture=”https://ocradst.wpengine.com/wp-content/uploads/2014/02/OCR_peter_lewis_2000.jpg” title=”OCR Board Member” linkedin=”https://uk.linkedin.com/pub/peter-lewis/13/3a5/a90″]Peter Lewis is an artist and curator. He publishes /seconds, the online journal of research into contemporary art practices. The journal has represented a range of new developments in practice since 2004. Previously at Goldsmiths, University of London, as Senior Lecturer in Curating, he is currently in post as Course Director of MA Art and Design at Leeds Metropolitan University. More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Barabra London” picture=”https://ocradst.wpengine.com/soundartcurating/wp-content/uploads/sites/5/2014/02/London.jpg” title=”OCR Board Member”]Barbara London is a curator and writer who founded the video exhibition and collection programs at The Museum of Modern Art, where she was curator between 1973 and 2013. The exhibitions she organized include one-person shows featuring early mavericks Nam June Paik, Bill Viola, Steina Vasulka, Joan Jonas, Shigeko Kubota, Peter Campus, Gary Hill, VALIE EXPORT, and Laurie Anderson. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Kerstin Mey” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Kay_2000.jpg” title=”OCR Board Member” linkedin=”https://www.linkedin.com/pub/professor-kerstin-mey/14/88a/55a”]Dr. Kerstin Mey is Professor of Contemporary Art and Theory and Dean of Media, Arts and Design at the University of Westminster. As a writer and curator, her research is concerned with the situatedness and models of art practices, their underlying value hierarchies, public pedagogies and the making of knowledge in relation to art research, technological advances, and embodied experience. More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Nicholas Mirzoeff ” picture=”https://ocradst.wpengine.com/wp-content/uploads/2014/10/Mirzoeff_IMG_5459.jpg” title=”OCR Board Member”]Nicholas Mirzoeff is Professor of Media, Culture and Communication at New York University. He is one of the founders of the academic discipline of visual culture in books like An Introduction to Visual Culture (1999/2009) and The Visual Culture Reader (1998/2002/2012). He is also Deputy Director of the International Association for Visual Culture and organized its first conference in 2012. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Gunalan Nadarajan” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/guna_2000.jpg” title=”OCR Board Member” linkedin=”https://www.linkedin.com/pub/gunalan-nadarajan/7/923/508″]Gunalan Nadarajan is an art theorist and curator working at the intersections of art, science and technology. His publications include Ambulations (2000), Construction Site(edited; 2004) and Contemporary Art in Singapore (co-authored; 2007), Place Studies in Art, Media, Science and Technology: Historical Investigations on the Sites and Migration of Knowledge (co-edited; 2009). More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Jussi Parikka” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/07/MG_6296.jpg” title=”OCR Board Member” twitter=”https://twitter.com/juspar”]Dr Jussi Parikka is media theorist, writer and Reader in Media & Design at Winchester School of Art (University of Southampton). Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is Docent of Digital Culture Theory at the same University. Parikka is also a Senior Fellow at the Winchester Centre for Global Futures in Art Design & Media. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Tae Hong Park” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/10/Tae-Hong2.jpg” title=”OCR Board Member” linkedin=”https://www.linkedin.com/pub/tae-hong-park/43/438/359″]Tae Hong Park holds B.Eng., M.A., M.F.A. degrees from Korea University, Dartmouth College, and Princeton University. He has worked in the area of digital communication systems and musical keyboards at the LG Central Research Laboratory in Seoul, Korea (1994~1998). He is author of “Introduction to DSP: Computer Musically Speaking” published in 2010. More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Robert Rowe” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Rowe_2000.jpg” title=”OCR Board Member” ]Robert Rowe received degrees in music history & theory (B.M. Wisconsin 1976), composition (M.A. Iowa 1978), and music & cognition (Ph.D. MIT 1991). From 1978 to 1987 he lived and worked in Europe, associated with the Institute of Sonology in Utrecht, the Royal Conservatory in the Hague, the ASKO Ensemble of Amsterdam, and with IRCAM in Paris. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Jeffrey Schnapp” picture=”https://ocradst.wpengine.com/wp-content/uploads/2014/03/jeffrey_2000.jpg” title=”OCR Board Member” twitter=”https://twitter.com/jaytiesse”]Before moving permanently to Harvard in 2011, Jeffrey T. Schnapp occupied the Pierotti Chair of Italian Studies at Stanford, where he founded the Stanford Humanities Lab in 1999. A cultural historian with research interests extending from antiquity to the present, his most recent books are The Electric Information Age Book. More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Marquard Smith” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Smith_2000.jpg” title=”OCR Board Member” linkedin=”uk.linkedin.com/pub/marquard-smith/26/9b0/977″]Marq Smith is Research Leader and Head of Doctoral Studies in the School of Humanities at the Royal College of Art. He is also editor-in-chief of Journal of Visual Culture. In addition to his research on the human in the visual culture of modernity which has culminated in publications such as The Prosthetic Impulse (MIT), Stelarc: The Monograph (MIT). More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Morten Søndergaard” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Morten_2000.jpg” title=”OCR Board Member”]Morten Søndergaard is Associate Professor of Interactive Media Art at Aalborg University Copenhagen (DK) where he is head of research of the Unheard Avant-garde project at the LARM audio archive infrastructure. He is also an independent and internationally operating Media Art Curator. Contributing editor at LEA (2011-) and Associated Curator at Kasa Gallery, Istanbul (2013-). More[/person]
[/one_half]
[one_half last=”yes”]
[person name=”Atau Tanaka” picture=”https://ocradst.wpengine.com/wp-content/uploads/2014/01/Atau_OCR_Board.jpg” title=”OCR Board Member”]Atau Tanaka studied Physical Sciences at Harvard and has a doctorate in Computer Music Composition from Stanford University’s CCRMA. He was awarded the Prix de Paris to conduct research in Paris at IRCAM, Centre Pompidou. In the 90’s he formed Sensorband with Zbigniew Karkowski and Edwin van der Heide and then moved to Japan, playing with Merzbow, Otomo, and KK Null. More[/person]
[/one_half]
[one_half last=”no”]
[person name=”Paul Thomas” picture=”https://ocradst.wpengine.com/wp-content/uploads/2013/08/Paul-Thomas_2000.jpg” title=”OCR Board Member” linkedin=”https://www.linkedin.com/pub/paul-thomas/0/941/7b7″]Dr Paul Thomas, is Head of Painting at the College of Fine Art, University of New South Wales. Paul is currently looking at photons and parallel universes in the work Multiverse which is based on silver, the mirror and quantum theories of light. Paul is the co-chair of the Transdisciplinary Imaging Conference 2010, 2012 and 2014. More[/person]
[/one_half]
[one_half last=”yes”]
[/one_half]